
Yannic Joray
Garden of containment, No. 79 (2022)
In the series The Garden of Containment (2022), Yannic Joray draws seductive parallels between fiction and reality. The plans we see are based on the garden architecture of Anton Chekhov's seed merchants. Chekhov, a writer, doctor and eventually a gardener himself, used the garden as a recurring motif in his stories and as an "organic curtain" for his characters. Yannic mentions Chekhov's importance to his unlikely admirer George Kennan, the influential American Cold War diplomat: According to his biographer, Kennan was inspired by reading Chekhov to develop the idea of containing the Soviet Union. Kennan remarked that "we must be gardeners and not mechanics in our approach to world affairs". Since the Chekhovian garden surrounds its characters, defines their activities and binds their fate to it, the United States, as gardener-in-chief, "might in time get the Soviet Union to defeat itself."
photography: Julian Blum (above and below, left); Claude Barrault (below, center), Natalija Paunić (below, right)



Yannic Joray biography
Yannic Joray (b.1986, Bern) is a Swiss artist currently living and working in Zürich. His recent works have taken the form of illuminated reliefs in display cases offering aerial views of domestic interiors, office buildings and swaths of land. Joray has been the subject of recent solo exhibitions at Galerie Bernhard, Zurich (2022) and Stadtgalerie, Bern (2021), with selected group exhibitions including; Tokyo Arts & Crafts Object Expo, XYZcollective, Tokyo (2021); Sommer des Zögerns, Kunsthalle Zürich (2020); Lampen, Francesca Pia, Zurich (2018);On Half a Tank of Gas, Swiss Institute New York and Kunsthaus Glarus, New York and Zur Rebschänke, Weiss Falk, Basel (both 2017).